安徒生童话故事优选(15篇)
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安徒生童话故事

时间:2024-05-27 15:18:06 安徒生童话 我要投稿

安徒生童话故事优选(15篇)

  在学习、工作或生活中,大家对童话都不陌生吧,童话故事通过丰富的想象、幻想和夸张手法来编写适合于儿童欣赏的故事,都有哪些经典的童话故事呢?以下是小编整理的安徒生童话故事,供大家参考借鉴,希望可以帮助到有需要的朋友。

安徒生童话故事优选(15篇)

安徒生童话故事1

  有一个小女孩,在过圣诞节时,在外游荡,最终怀着美好地愿望去世了,她的表情是那么的纯洁,那么的安祥,边上没有一个人为她举办葬礼……

  为什么?为什么我们有厚厚的棉衣穿她却没有;我们有厚厚的棉帽子棉手套她却没有;为什么我们可以坐在温暖的教室里读书而她却要在寒冷的街上卖火柴。这一切的一切都是为什么?

  当时的人们为什么会那么冷酷无情?虽然他们都从小女孩的身边走过,但都不理睬小女孩。自顾自的向前走去,并不伸出他们的爱心之手来帮助小女孩啊!

  如果当时有一个人伸出他们的援助之手那么小女孩就不会去世。难道我们我们生活在这样一个“大同社会”还不懂的知足么,还不好好学习么?我们和那些孤苦伶仃的人比起来我们真的是比他们好多了,都无法用语言来形容了,我只有用我的行动来表达我对他们的同情之心。我们一定要好好学习啊!

  在这个世界上,有我们这些生活在幸福而快乐的家庭里的孩子,我们有父母的疼爱,有老师的`教导,有同学的关心,还有一个温暖的“被窝”在时刻温暖着我们,使我们不感寒冷,无忧无愁。可是,在快乐的日子里,我们忽略了身边还有许许多多生活在世界同一角落的孩子们,他们没有一个温暖的被窝,生活在冰冷的世界。我们是幸福的,我们要珍惜这幸福快乐的童年,好好地学习知识,学习本领,去圆我们五彩缤纷的梦。

安徒生童话故事2

  IT was bitterly cold, the sky glittered with stars, and not a breeze stirred. "Bump" an old pot was thrown at a neighbor's door; and "bang, bang," went the guns, for they were greeting the New Year.

  It was New Year's Eve, and the church clock was striking twelve.

  "Tantarara, tantarara," sounded the horn, and the mailcoach came lumbering up. The clumsy vehicle stopped at the gate of the town; all the places had been taken, for there were twelve passengers in the coach.

  "Hurrah! hurrah!" cried the people in the town; for in every house the New Year was being welcomed; and as the clock struck, they stood up, the full glasses in their hands, to drink success to the new comer. "A happy New Year," was the cry; "a pretty wife, plenty of money, and no sorrow or care."

  The wish passed round, and the glasses clashed together till they rang again; while before the towngate the mail coach stopped with the twelve strange passengers. And who were these strangers? Each of them had his passport and his luggage with him; they even brought presents for me, and for you, and for all the people in the town. "Who were they? what did they want? and what did they bring with them?"

  "Goodmorning," they cried to the sentry at the towngate.

  "Goodmorning," replied the sentry; for the clock had struck twelve. "Your name and profession?" asked the sentry of the one who alighted first from the carriage.

  "See for yourself in the passport," he replied. "I am myself;" and a famous fellow he looked, arrayed in bearskin and fur boots.

  "I am the man on whom many persons fix their hopes. Come to me tomorrow, and I'll give you a New Year's present. I throw shillings and pence among the people; I give balls, no less than thirtyone; indeed, that is the highest number I can spare for balls. My ships are often frozen in, but in my offices it is warm and comfortable. My name is JANUARY. I'm a merchant, and I generally bring my accounts with me."

  Then the second alighted. He seemed a merry fellow. He was a director of a theatre, a manager of masked balls, and a leader of all the amusements we can imagine. His luggage consisted of a great cask.

  "We'll dance the bung out of the cask at carnival time," said he;

  "I'll prepare a merry tune for you and for myself too. Unfortunately I have not long to live the shortest time, in fact, of my whole family only twentyeight days. Sometimes they pop me in a day extra; but I trouble myself very little about that. Hurrah!"

  "You must not shout so," said the sentry.

  "Certainly I may shout," retorted the man; "I'm Prince Carnival, travelling under the name of FEBRUARY."

  The third now got out. He looked a personification of fasting; but he carried his nose very high, for he was related to the "forty (k)nights," and was a weather prophet. But that is not a very lucrative office, and therefore he praised fasting. In his buttonhole he carried a little bunch of violets, but they were very small.

  "MARCH, March," the fourth called after him, slapping him on the shoulder, "don't you smell something? Make haste into the guard room; they're drinking punch there; that's your favorite drink. I can smell it out here already. Forward, Master March." But it was not true; the speaker only wanted to remind him of his name, and to make an APRIL fool of him; for with that fun the fourth generally began his career. He looked very jovial, did little work, and had the more holidays. "If the world were only a little more settled," said he: "but sometimes I'm obliged to be in a good humor, and sometimes a bad one, according to circumstances; now rain, now sunshine. I'm kind of a house agent, also a manager of funerals. I can laugh or cry, according to circumstances. I have my summer wardrobe in this box here, but it would be very foolish to put it on now. Here I am. On Sundays I go out walking in shoes and white silk stockings, and a muff."

  After him, a lady stepped out of the coach. She called herself Miss MAY. She wore a summer dress and overshoes; her dress was a light green, and she wore anemones in her hair. She was so scented with wildthyme, that it made the sentry sneeze.

  "Your health, and God bless you," was her salutation to him.

  How pretty she was! and such a singer! not a theatre singer, nor a ballad singer; no, but a singer of the woods; for she wandered through the gay green forest, and had a concert there for her own amusement.

  "Now comes the young lady," said those in the carriage; and out stepped a young dame, delicate, proud, and pretty. It was Mistress JUNE, in whose service people become lazy and fond of sleeping for hours. She gives a feast on the longest day of the year, that there may be time for her guests to partake of the numerous dishes at her table. Indeed, she keeps her own carriage; but still she traveled by the mail, with the rest, because she wished to show that she was not highminded. But she was not without a protector; her younger brother, JULY, was with her. He was a plump young fellow, clad in summer garments and wearing a straw hat. He had but very little luggage with him, because it was so cumbersome in the great heat; he had, however, swimmingtrousers with him, which are nothing to carry. Then came the mother herself, in crinoline, Madame AUGUST, a wholesale dealer in fruit, proprietress of a large number of fish ponds and a land cultivator. She was fat and heated, yet she could use her hands well, and would herself carry out beer to the laborers in the field. "In the sweat of the face shalt thou eat bread," said she; "it is written in the Bible." After work, came the recreations, dancing and playing in the Greenwood, and the "harvest homes." She was a thorough housewife.

  After her a man came out of the coach, who is a painter; he is the great master of colors, and is named SEPTEMBER. The forest, on his arrival, had to change its colors when he wished it; and how beautiful are the colors he chooses! The woods glow with hues of red and gold and brown. This great master painter could whistle like a blackbird. He was quick in his work, and soon entwined the tendrils of the hop plant around his beer jug. This was an ornament to the jug, and he has a great love for ornament. There he stood with his color pot in his hand, and that was the whole of his luggage. A landowner followed, who in the month for sowing seed attended to the ploughing and was fond of field sports. Squire OCTOBER brought his dog and his gun with him, and had nuts in his game bag. "Crack, crack." He had a great deal of luggage, even an English plough. He spoke of farming, but what he said could scarcely be heard for the coughing and gasping of his neighbor. It was NOVEMBER, who coughed violently as he got out. He had a cold, which caused him to use his pockethandkerchief continually; and yet he said he was obliged to accompany servant girls to their new places, and initiate them into their winter service. He said he thought his cold would never leave him when he went out woodcutting, for he was a master sawyer, and had to supply wood to the whole parish. He spent his evenings preparing wooden soles for skates, for he knew, he said, that in a few weeks these shoes would be wanted for the amusement of skating. At length the last passenger made her appearance, old Mother DECEMBER, with her firestool. The dame was very old, but her eyes glistened like two stars. She carried on her arm a flowerpot, in which a little firtree was growing.

  "This tree I shall guard and cherish," she said, "that it may grow large by Christmas Eve, and reach from the ground to the ceiling, to be covered and adorned with flaming candles, golden apples, and little figures. The firestool will be as warm as a stove, and I shall then bring a story book out of my pocket, and read aloud till all the children in the room are quite quiet. Then the little figures on the tree will become lively, and the little waxen angel at the top spread out his wings of goldleaf, and fly down from his green perch. He will kiss every one in the room, great and small; yes, even the poor children who stand in the passage, or out in the street singing a carol about the 'Star of Bethlehem.'"

  "Well, now the coach may drive away," said the sentry; "we have the whole twelve. Let the horses be put up."

  "First, let all the twelve come to me," said the captain on duty, "one after another. The passports I will keep here. Each of them isavailable for one month; when that has passed, I shall write the behavior of each on his passport. Mr. JANUARY, have the goodness to come here." And Mr. January stepped forward.

  When a year has passed, I think I shall be able to tell you what the twelve passengers have brought to you, to me, and to all of us. Now I do not know, and probably even they don't know themselves, for we live in strange times.

安徒生童话故事3

  窗台上有一株玫瑰花,不久前它还十分娇艳、充满青春活力。现在看上去它病了,它被什么东西折磨着。

  它身上来了一伙儿不速之客,正在吞食它。顺便提一下,这是一群穿着绿制服的风度不凡的食客。

  我和这伙食客中的一位作了一番谈话,他只有三天大,可已经是老爷爷了。你知道他说些什么吗?他说的都是实话。他讲他自己和这一群食客。

  “我们是世上生物中最奇特的一族。在温暖的季节里,我们生下活生生的小孩。那时的天气好,我们立刻就订婚,马上结婚。到了寒冷的季节,我们便下蛋;小东西们睡得暖暖和和的。最聪明的动物,最受我们尊敬的蚂蚁研究着我们,打量着我们。它并不立刻吃掉我们,它把我们的蛋搬走,搬到它和它的家族的窝里,给我们做上记号,编上号码,一排一排地,一层一层地把我们码放起来,这样每天便有一个小东西从蛋里孵出来。然后它们便把我们关到厩里,夹着我们的后腿,挤奶,直到我们死去。这是很舒服的!在它们那里我们得到了很漂亮的名字:‘甜蜜的小奶牛!’一切具有蚂蚁那样才智的动物都这么叫我们,只有人类例外。这对我们是一种侮辱,在他们那里,我们丢了面子,——您不能写点什么表示异议吗,您不能教人类明白事理吗!——他们傻瞪着眼望我们,用肮脏的眼神望着我们,因为我们吃了一瓣玫瑰花;而他们自己则吃掉所有有生命的生灵,一切绿色的会成长的东西。他们给我们取最卑下的名字,最叫人恶心的名字;我不说,噢!我都快吐了!我不能说。至少我穿着制服的时候不说,而我总是穿着制服的。

  “我是出生在玫瑰花树叶上的。我和我们整个家族都是靠玫瑰树生活的,但是玫瑰叶在我们体内活着,我们是更高一个层次的生物。人类不能容忍我们。他们跑来,用肥皂水杀死我们,那是一种很可怕的饮料!我觉得我闻到它的`味道。一个生来不能洗涤的东西被洗涤一番真是可怕。

  “人啊!你用严厉如肥皂水的眼光看着我们,你啊,想一想我们在自然界里的地位,以及我们的能产奶能生蛋的精致的器官吧!我们得到了‘生养众多,布满遍地’①的祝福!我们出生在玫瑰里,我们死在玫瑰里,我们的一生是诗。别把你认为最恶心、最丑的名字加给我们!那个名字——我说不出口,我不说!把我们叫作蚂蚁的奶牛、玫瑰树的兵团、绿色的小东西吧!”

  而我作为人,站在那里,望着那株玫瑰,望着那绿色的小东西。这小东西的名字我不说,不去触犯玫瑰树的住客,那是一大家子,有蛋有孩子的家族。我要用肥皂水来洗它们,因为我本是带着肥皂水和恶意来的。现在我要用它来吹肥皂泡,然后凝视那五颜六色的泡沫,说不定每个泡沫里面会有一个童话呢。

  肥皂泡涨得很大很大,五彩缤纷,泡泡里就像藏着一颗银色的珍珠。泡泡飘了起来,飞走了,飞向房门,啪的一声破裂了。可是门一下子开开了,童话妈妈出现了。

  “好啦!现在她讲——我不说名字!——这绿色的小东西,会比我讲得更好的。”

  “蚜虫!”童话妈妈说道。“对任何东西都要叫它的正确名字。如果说在一般情况下你不敢叫,在童话里总是可以叫的。”

  ①出自圣经旧约《创世纪》第1章第28句。上帝造人时对人的祝福。

安徒生童话故事4

  THE ELFIN HILL

  A FEW large lizards were running nimbly about in the clefts of an old tree. They could understand one another very well, for they spoke the lizard language. "What a buzzing and a rumbling there is in the elfin hill," said one of the lizards.

  "I have not been able to close my eyes for two nights on account of the noise; I might just as well have had the toothache, for that always keeps me awake."

  "There is something going on within there," said the other lizard; "they propped up the top of the hill with four red posts, till cockcrowthis morning, so that it is thoroughly aired, and the elfin girls have learnt new dances; there is something."

  "I spoke about it to an earthworm of my acquaintance," said a third lizard; "the earthworm had just come from the elfin hill, where he has been groping about in the earth day and night. He has heard a great deal; although he cannot see, poor miserable creature, yet he understands very well how to wriggle and lurk about. They expect friends in the elfin hill, grand company, too; but who they are the earthworm would not say, or, perhaps, he really did not know. All the willo'thewisps are ordered to be there to hold a torch dance, as it is called. The silver and gold which is plentiful in the hill will be polished and placed out in the moonlight."

  "Who can the strangers be?" asked the lizards; "what can the matter be? Hark, what a buzzing and humming there is!"

  Just at this moment the elfin hill opened, and an old elfin maiden, hollow behind, came tripping out; she was the old elf king's housekeeper, and a distant relative of the family; therefore she wore an amber heart on the middle of her forehead. Her feet moved very fast, "trip, trip;" good gracious, how she could trip right down to the sea to the nightraven.

  "You are invited to the elf hill for this evening," said she; "but will you do me a great favor and undertake the invitations? you oughtto do something, for you have no housekeeping to attend to as I have. We are going to have some very grand people, conjurors, who have always something to say; and therefore the old elf king wishes to make a great display."

  "Who is to be invited?" asked the raven.

  "All the world may come to the great ball, even human beings, if they can only talk in their sleep, or do something after our fashion. But for the feast the company must be carefully selected; we can only admit persons of high rank; I have had a dispute myself with the elf king, as he thought we could not admit ghosts. The merman and his daughter must be invited first, although it may not be agreeable to them to remain so long on dry land, but they shall have a wet stone to sit on, or perhaps something better; so I think they will not refuse this time. We must have all the old demons of the first class, with tails, and the hobgoblins and imps; and then I think we ought not to leave out the deathhorse, or the gravepig, or even the church dwarf, although they do belong to the clergy, and are not reckoned among our people; but that is merely their office, they are nearly related to us, and visit us very frequently."

  "Croak," said the nightraven as he flew away with the invitations.

  The elfin maidens we're already dancing on the elf hill, and they danced in shawls woven from moonshine and mist, which look very pretty to those who like such things. The large hall within the elf hill was splendidly decorated; the floor had been washed with moonshine, and the walls had been rubbed with magic ointment, so that they glowed like tulipleaves in the light. In the kitchen were frogs roasting on the spit, and dishes preparing of snail skins, with children's fingers in them, salad of mushroom seed, hemlock, noses and marrow of mice, beer from the marsh woman's brewery, and sparkling saltpetre wine from the grave cellars. These were all substantial food. Rusty nails and churchwindow glass formed the dessert. The old elf king had his gold crown polished up with powdered slatepencil; it was like that used by the first form, and very difficult for an elf king to obtain. In the bedrooms, curtains were hung up and fastened with the slime of snails; there was, indeed, a buzzing and humming everywhere.

  "Now we must fumigate the place with burnt horsehair and pig's bristles, and then I think I shall have done my part," said the elf manservant.

  "Father, dear," said the youngest daughter, "may I now hear who our highborn visitors are?"

  "Well, I suppose I must tell you now," he replied; "two of my daughters must prepare themselves to be married, for the marriages certainly will take place. The old goblin from Norway, who lives in the ancient Dovre mountains, and who possesses many castles built of rock and freestone, besides a gold mine, which is better than all, so it is thought, is coming with his two sons, who are both seeking a wife. The old goblin is a truehearted, honest, old Norwegian graybeard; cheerful and straightforward. I knew him formerly, when we used to drink together to our good fellowship: he came here once to fetch his wife, she is dead now. She was the daughter of the king of the chalkhills at Moen. They say he took his wife from chalk; I shall be delighted to see him again. It is said that the boys are illbred, forward lads, but perhaps that is not quite correct, and they will become better as they grow older. Let me see that you know how to teach them good manners."

  "And when are they coming?" asked the daughter.

  "That depends upon wind and weather," said the elf king; "they travel economically. They will come when there is the chance of a ship. I wanted them to come over to Sweden, but the old man was not inclined to take my advice. He does not go forward with the times, and that I do not like."

  Two willo'thewisps came jumping in, one quicker than the other, so of course, one arrived first. "They are coming! they are coming!" he cried.

  "Give me my crown," said the elf king, "and let me stand in the moonshine."

  The daughters drew on their shawls and bowed down to the ground. There stood the old goblin from the Dovre mountains, with his crown of hardened ice and polished fircones. Besides this, he wore a bearskin, and great, warm boots, while his sons went with their throats bare and wore no braces, for they were strong men.

  "Is that a hill?" said the youngest of the boys, pointing to the elf hill, "we should call it a hole in Norway."

  "Boys," said the old man, "a hole goes in, and a hill stands out; have you no eyes in your heads?"

  Another thing they wondered at was, that they were able without trouble to understand the language.

  "Take care," said the old man, "or people will think you have not been well brought up."

  Then they entered the elfin hill, where the select and grand company were assembled, and so quickly had they appeared that they seemed to have been blown together. But for each guest the neatest and pleasantest arrangement had been made. The sea folks sat at table in great watertubs, and they said it was just like being at home. All behaved themselves properly excepting the two young northern goblins; they put their legs on the table and thought they were all right.

  "Feet off the tablecloth!" said the old goblin. They obeyed, but not immediately. Then they tickled the ladies who waited at table, with the fircones, which they carried in their pockets. They took off their boots, that they might be more at ease, and gave them to the ladies to hold. But their father, the old goblin, was very different; he talked pleasantly about the stately Norwegian rocks, and told fine tales of the waterfalls which dashed over them with a clattering noise like thunder or the sound of an organ, spreading their white foam on every side. He told of the salmon that leaps in the rushing waters, while the watergod plays on his golden harp. He spoke of the bright winter nights, when the sledge bells are ringing, and the boys run with burning torches across the smooth ice, which is so transparent that they can see the fishes dart forward beneath their feet. He described everything so clearly, that those who listened could see it all; they could see the sawmills going, the menservants and the maidens singing songs, and dancing a rattling dance, when all at once the old goblin gave the old elfin maiden a kiss, such a tremendous kiss, and yet they were almost strangers to each other.

  Then the elfin girls had to dance, first in the usual way, and then with stamping feet, which they performed very well; then followed the artistic and solo dance. Dear me, how they did throw their legs about! No one could tell where the dance begun, or where it ended, nor indeed which were legs and which were arms, for they were all flying about together, like the shavings in a sawpit! And then they spun round so quickly that the deathhorse and the gravepig became sick and giddy, and were obliged to leave the table.

  "Stop!" cried the old goblin," is that the only housekeeping they can perform? Can they do anything more than dance and throw about their legs, and make a whirlwind?"

  "You shall soon see what they can do," said the elf king. And then he called his youngest daughter to him. She was slender and fair as moonlight, and the most graceful of all the sisters. She took a white chip in her mouth, and vanished instantly; this was her accomplishment. But the old goblin said he should not like his wife to have such an accomplishment, and thought his boys would have the same objection. Another daughter could make a figure like herself follow her, as if she had a shadow, which none of the goblin folk ever had. The third was of quite a different sort; she had learnt in the brewhouse of the moor witch how to lard elfin puddings with glowworms.

  "She will make a good housewife," said the old goblin, and then saluted her with his eyes instead of drinking her health; for he did not drink much.

  Now came the fourth daughter, with a large harp to play upon; and when she struck the first chord, every one lifted up the left leg (for the goblins are leftlegged), and at the second chord they found they must all do just what she wanted.

  "That is a dangerous woman," said the old goblin; and the two sons walked out of the hill; they had had enough of it. "And what can the next daughter do?" asked the old goblin.

  "I have learnt everything that is Norwegian," said she; "and I will never marry, unless I can go to Norway."

  Then her youngest sister whispered to the old goblin, "That is only because she has heard, in a Norwegian song, that when the world shall decay, the cliffs of Norway will remain standing like monuments; and she wants to get there, that she may be safe; for she is so afraid of sinking."

  "Ho! ho!" said the old goblin, "is that what she means? Well, what can the seventh and last do?"

  "The sixth comes before the seventh," said the elf king, for he could reckon; but the sixth would not come forward.

  "I can only tell people the truth," said she. "No one cares for me, nor troubles himself about me; and I have enough to do to sew my grave clothes."

  So the seventh and last came; and what could she do? Why, she could tell stories, as many as you liked, on any subject.

安徒生童话故事5

  在一个既空旷又风儿适度的地方,有很多的人都喜欢放风筝。

  也有很多的人喜欢观看放飞的风筝,那是因为被放飞的风筝会显得非常的美丽和轻盈。

  可是却几乎没有人会注意到拴在风筝下面的那根长长的风筝线,因为它实在是太渺小了,就像隐形的一样。

  大家有没有想过,如果没有风筝线,那么风筝还怎么可能自由自在的翱翔于天空之中;如果没有风筝线,那么风筝又怎么可能收到人们欣赏的.目光和赞美的话语呢?

  风筝就像是集万千宠爱于一身,拥有着光鲜亮丽外表的明星。

  而风筝线就像是没有多少人知道的躲在角落里默默工作的幕后人员。

  如果没有风筝线把风筝‘举’得老高,那么就算这个风筝本身的模样再怎么漂亮,质地再怎么样的优良,也不会有过多的人知道它。

  只有风筝线利用风儿慢慢的护送风筝来到天空中,甚至最后去到那最高最广阔的天空之上,自由飞翔!去接受众人欣赏的目光和赞美的话语!

  总之,风筝离不开风筝线,风筝线也离不开风筝,它们两个必须互相配合才能发挥作用。

  所以,来自于幕后的力量同样强大!

安徒生童话故事6

  有一次,跳蚤、蚱蜢和跳鹅(注:这是丹麦一种旧式的玩具,它是用一根鹅的胸骨做成的;加上一根木栓和一根线,再擦上一点蜡油,就可以使它跳跃。)想要知道它们之中谁跳得最高。它们把所有的人和任何愿意来的人都请来参观这个伟大的场面。它们这三位著名的跳高者就在一个房间里集合起来。

  “对啦,谁跳得最高,我就把我的女儿嫁给谁!”国王说,“因为,假如让这些朋友白白地跳一阵子,那就未免太不像话了!”

  跳蚤第一个出场。它的态度非常可爱:它向四周的人敬礼,因为它身体中流着年轻小姐的血液,习惯于跟人类混在一起,而这一点是非常重要的。

  接着蚱蜢就出场了,它的确很粗笨,但它的'身体很好看。它穿着它那套天生的绿制服。此外,它的整个外表说明它是出身于埃及的一个古老的家庭,因此它在这儿非常受到人们的尊敬。人们把它从田野里弄过来,放在一个用纸牌做的三层楼的房子里——这些纸牌有画的一面都朝里。这房子有门也有窗,而且它们是从“美人”身中剪出来的。

  “我唱得非常好,”它说,“甚至16个本地产的蟋蟀从小时候开始唱起,到现在还没有获得一间纸屋哩。它们听到我的情形就嫉妒得要命,把身体弄得比以前还要瘦了。”

  跳蚤和蚱蜢这两位毫不含糊地说明了它们是怎样的人物。它们认为它们有资格和一位公主结婚。

  跳鹅一句话也不说。不过据说它自己更觉得了不起。宫里的狗儿把它嗅了一下,很有把握地说,跳鹅是来自一个上等的家庭。那位因为从来不讲话而获得了三个勋章的老顾问官说,他知道跳鹅有预见的天才:人们只须看看它的背脊骨就能预知冬天是温和还是寒冷。这一点人们是没有办法从写历书的人的背脊骨上看出来的。

  “好,我什么也不再讲了!”老国王说,“我只须在旁看看,我自己心中有数!”

  现在它们要跳了。跳蚤跳得非常高,谁也看不见它,因此大家就说它完全没有跳。这种说法太不讲道理。

  蚱蜢跳得没有跳蚤一半高。不过它是向国王的脸上跳过来,因此国王就说,这简直是可恶之至。

  跳鹅站着沉思了好一会儿;最后大家就认为它完全不能跳。

  “我希望它没有生病!”宫里的狗儿说,然后它又在跳鹅身上嗅了一下。

  “嘘!”它笨拙地一跳,就跳到公主的膝上去了。她坐在一个矮矮的金凳子上。

  国王说:“谁跳到我的女儿身上去,谁就要算是跳得最高的了,因为这就是跳高的目的。不过能想到这一点,倒是需要有点头脑呢——跳鹅已经显示出它有头脑。它的腿长到额上去了!”

  所以它就得到了公主。

  “不过我跳得最高!”跳蚤说。“但是这一点用处也没有!不过尽管她得到一架带木栓和蜡油的鹅骨,我仍然要算跳得最高。但是在这个世界里,一个人如果想要使人看见的话,必须有身材才成。”

  跳蚤于是便投效一个外国兵团。据说它在当兵时牺牲了。

  那只蚱蜢坐在田沟里,把这世界上的事情仔细思索了一番,不禁也说:“身材是需要的!身材是需要的!”

  于是它便唱起了它自己的哀歌。我们从它的歌中得到了这个故事——这个故事可能不是真的,虽然它已经被印出来了。

  (1845年)

  这是一个有风趣的小故事,发表于1845年,这里面包含着一些似是而非的“真理”,事实上是对人间某些世态的讽刺。“跳蚤跳得非常高,谁也看不见它,因此大家就说它完全没有跳。”但是在这个世界里,一个人如果想要使人看见的话,必须有身材才成。“谁跳到我的女儿身上去,谁就要算跳得最高的了……不过能想到这一点,倒是需要有点头脑呢——跳鹅已经显示出它有头脑。”事实上跳鹅跳得最低,但是它得到了公主!安徒生在他的手记中说:“当几个孩子要求给他们讲一个故事的时候,我灵机一动就写出了这个《跳高者》。”

安徒生童话故事7

  刚步入小学的大门,我就被《安徒生童话故事》的内容深深吸引,这本书里,每一个故事都会给我带来启发。

  我读完《丑小鸭》这个故事,觉得它很精彩。丑小鸭它一生下来,因为生得很丑,人们和动物们都不喜欢它。寒冷的冬天,它在森林里受尽了折磨。后来它靠自己的`努力,终于飞起来。它成了一只美丽的天鹅。丑小鸭变天鹅靠的正是她自己的努力。它告诉我们无论做什么事,不要怕自己笨,只要用心去做,就一定能成功的。

  《安徒生童话故事》犹如一朵鲜花,绽放在我们每个人的心里。

安徒生童话故事8

  从前,有位住在瑞士的老伯爵只有一个儿子,可这儿子傻傻的,什么也学不会。父亲于是对儿子说:“听着,儿子。我已经尽一切努力教你,可你什么都没学会。我替你找了个有名的导师,你上他那儿去,看他能不能教你点什么。”就这样,年轻人被送到另外一座城市,在那里学了一年。年底他回到家,父亲问他:“儿子,你这一年学了点什么?”“父亲,我学会了狗语。”“主啊,可怜可怜我们吧!”父亲叫起来,“这就是你所学的?我要把你送到另一个城市去,另找一位导师。”于是,年轻人又被送去和另一位导师学了一年。回来时父亲问:“我的孩子,今年你学了点什么?”他回答说:“父亲,我能听懂鸟语了。”父亲大发雷霆:“你这蠢货,竟然一无所获地度过宝贵的时光!你回来就不感到难为情吗?我再为你找个导师,如果你这次还是什么都学不会,我就再没你这儿子了!”

  年轻人跟着第三位导师又学了一年。等回到家,父亲问他:“你学会了什么,儿子?”他回答:“亲爱的父亲,今年我能听懂蛙鸣的含义了。”父亲气得火冒三丈地跳起来对仆人说:“这家伙不再是我儿子,我已经把他赶出去了。我命令你们把他带到森林里去杀了。”

  仆人把青年带到森林里,但是不忍心杀他,他把他放了,然后杀了一头鹿,取了眼睛和舌头拿回去禀报伯爵。青年漫无目的地朝前走,走了很久,终于来到一座城堡。他请求那里的人让他歇一夜。

  “可以,”城堡的主人说,“只要你愿意,就去塔楼里住一夜吧。不过我要警告你:那里很危险,有很多野狗在不停地乱吠乱叫,到某个时辰还得给它们一个人吃,倾刻就会把人吃光。”原来当时整个地区都被这群野狗闹得不得安宁,可又没有办法。年轻人一点也不害怕地说:“就让我去吧,不会有事的。给点吃的让我去喂它们。”既然他自己要去,人们便给了他一些喂狗的东西让他去了。

  年轻人走进塔楼,那些狗不叫也不闹,友好地摇着尾巴围着他转,吃着他摆在它们跟前的食物,丝毫没有伤害他。第二天,他毛发无损地平安走出塔楼来对主人说:“那些狗用它们的`话告诉我为什么它们会住到这儿来,为什么会为害一方的。它们中了魔法,被迫到这儿来守护塔楼底下的一笔财宝,只有等人们取走财宝时它们才能得到安宁。我还从它们的谈话中了解到怎样才能取出这些财宝。”听到的人无不欣喜万分,主人说只要年轻人做好这件事就认他作儿子。于是年轻人又来到塔楼,胸有成竹地取出一个装满了金子的箱子。从此,人们再没听到野狗的嚎叫,也再没见到那些野狗了,这个地方又恢复了原有的宁静。

  过了一段时间,年轻人想去罗马。他路过一片沼泽地,听到许多青蛙在“呱呱”地说话。他听后沉思起来,感到有些悲伤。后来他终于到了罗马,原来教皇刚刚去世了,红衣主教们正在为由谁继任教皇发愁。他们最后决定选一个有神力、能创造奇迹的人继任。年轻的伯爵这时恰好走进教堂,两只白鸽飞到他肩头就不走了。教士们认为那是主的意志,当时就问他是否愿意当教皇。年轻人犹豫着,不知道自己是否配做教皇。鸽子建议他答应下来,于是他同意了。

  接着就是涂油、献祭等一系列宗教仪式。他在来罗马的路上就听到青蛙们说自己会当上神圣的教皇,他当时大为震惊,这时正好验证了。轮到他主持做弥撒的时候,他连一个字也不会讲。两只鸽子就一直坐在他肩头,一句句教给他。

安徒生童话故事9

  嘟嘟是只可爱的小肥狗,每天都过着幸福的生活。不过,有一天,小主人迷上了音乐,房间里摆满了手风琴、钢琴……

  “滋滋啦”,小主人又开始演奏那刺耳的乐曲。他倒是练得津津有味,可嘟嘟恨不得找个地洞钻进去,躲开那琴声。晚上,小主人的呼噜声如同打雷一般,嘟嘟睡也睡不着。它心想:都是这些琴的错,自从小主人开始练琴,我都没睡过一天安稳觉。它走到门外,趴在地上睡觉,做了一个奇怪的梦。

  嘟嘟梦到自己坐在一张红色的毯子上,又舒服,又安静。突然,它又听到了那刺耳的琴声。“哗”的一声,一架水晶小提琴出现在它的面前,嘟嘟吓得往后退了几步。“啪”,好像撞到了什么东西了,它回头一看,便“汪汪”地叫了起来。原来它撞到了一架比楼梯还长的'钢琴。接着,水晶小提琴和钢琴开始自动演奏了,那声音比小主人演奏得还难听。两种琴慢慢靠近,嘟嘟被挤到了中间。“汪”,嘟嘟被惊醒了。

  小主人也做了个梦,梦见自己在拉小提琴时,把大家吓跑了,连他最好的朋友也说:“你的琴声好刺耳,你倒没啥感觉,那你知道我的感受吗?”说完,便和大家一起走了,就连一直陪伴在他身旁的嘟嘟也不例外。

  小主人醒了,他意识到了自己的错误,在门外找到了嘟嘟,把它举了起来,说:“对不起,我知道我错了,我会考虑你们的感受。”

  嘟嘟听了,“汪汪”地欢呼起来。

安徒生童话故事10

  《安徒生童话》是一本童话中的经典,用朴素的语言教我们辨朋是非、善恶。

  童话蕴涵的道理,在生活中起重要作用,童话中虽然没直接告诉我们大道理,但我们可以读出做人的原则。这本书,它让我们明白什么是善良、勤劳、勇敢、坚强、朴素、健康。童话里的语言生动优美,让我们从书中品味到丰富的`文化,感受到生活的真谛,体会生命的快乐。

  安徒生的作品忠实地反映了他那个时代的现实生活,具有高超的理想,鲜明的政治态度和爱憎,以及对于人生深刻地思考,而这些特点他则是通过艺术的形式表达出来的。这些作品洋溢着一种感人的诗情与意境。因此他的每篇作品也可以称作是一首诗,对读者起一种感情升华的作用。人们在它里面发现真理,发现人类灵魂中最诚实,最美丽的东西和最优良的品质。

  安徒生在他的作品中表现出一种天真与朴素的特有气质。像许多古今中外优秀的文学作品一样。书中的天堂是那么“美”。是每个人都向往的地方,《安徒生童话》犹如一朵鲜花,绽放在每个人的心里。《安徒生童话》我感受到了这一本书全都是善良与难过的事情。声情并茂,句子优雅美丽。

安徒生童话故事11

  一天,动物村的喇叭响了,那是村长的声音。“在星期天的下午,在山坡上有一场副村长选拔比赛,有兴趣者踊跃报名。”动物们听到,兴奋不已,最高兴的要数小白兔了。

  这一天,天气闷热,阳光贪婪地晒着大地,土地龟裂了,但这也无法抵挡动物们的积极向上的热情。大部分动物都来了,村长很高兴,抬肘子把拐杖扔进了树林里并说:“来的动物太多了,你们去森林里找我的拐杖,谁先找到,副村长的位置就归它所有了,首先我要给你们每人发一个指南针……

  狐狸领取到指南针就一溜烟地跑出去,停下的时候,却发现自己不小心把指南针弄丢了,。这时不远处有一只天真可爱的小白兔,手里拿着一根拐杖,狐狸看到眼珠一转,便心生一计,它装着骨折的.样子,吊着脚说:“小白兔,我脚坏了,借我拐杖好吗?”天真的小白兔竟相信了狐狸的话,便把拐杖借给了它,可狐狸拿到了指南针拐杖转身就跑,小白兔怎么也追不上。最终狐狸最先跑回了终点。

  村长问狐狸:“请把你的拐杖拿出来给我看看,好吗?”小狐狸得意洋洋地举了上去。村长却把它关了起来说:“我给你们每个的指南针都不同,此时的兔子在森林里找到了狐狸的指南针,并顺利回来。说:“村长,狐狸抢走了我的指南针。”村长说:“我知道,你才是名符其实的副村长。”这时的狐狸羞愧极了。

安徒生童话故事12

  批发商家为孩子们安排了一次聚会,参加的都是有钱人家、体面人家的孩子。这位批发商生意做得很不错,是一位有学识的人。他得到过高级中学结业证书,是他那和善的父亲坚持要他念书的。父亲最初做贩牛生意,为人老成勤俭,赚了不少钱。批发商接着又不断地赚钱。他很有头脑,心地也很慈善。可是大伙儿很少说起他的这些,说得最多的还是他的那许多钱。

  他家出出进进的都是体面人物。有的是人们说的血统很体面,有的是人们说的精神方面很体面,有的两者兼而有之,有的则两者皆缺。现在这里是孩子们的聚会,讲的都是孩子话,孩子们讲话从来不拐弯抹角。有一个小姑娘很漂亮,只是过于高傲了。都是仆佣们总是亲吻她而宠出来的,不是她的父母,在这方面,他们倒还是很注意分寸的。她的父亲是宫廷侍从官,这很了不起,她知道。

  “我是宫廷里的孩子!”她说道。她其实也可能是地下室的孩子,随便你自己怎么定都可以。于是她对别的孩子说,她是“生就”的,还说,如果不是生就的,那她就变也变不成。读书也没有用,即便你十分用功读书也不行,要是你不是生就的,那你是变不成的。

  “那些以‘生’字为姓的结尾的人①,”她说道,“在世界上怎么也成不了大器!应该把手叉在腰旁,远远地躲开这些‘生’呀‘生’的!”于是她便把她那娇嫩的小手叉在腰上,胳膊尖尖的,让人看看应该怎么样行事。那一双小胳膊真好看,她真是甜极了!

  可是批发商的小女儿很恼火。她的父亲叫玛兹生,她知道这个名字以‘生’结尾。于是她便十分傲气地说:

  “可是我父亲能拿一百块银币买来糖果让大伙儿抢!你父亲能吗?”

  “是啊,可是我父亲,”一位作家的小女儿说道,“能把你的父亲,还有你的父亲,所有的父亲,都弄到报纸上!人人都怕他,我母亲说的.,因为我父亲管着报纸。”

  小姑娘挺直了身子,翘起了头,就像她是一位真正的公主那样,挺身翘首。

  在半开的门外,有一个贫寒的孩子站在那里正从门缝往里看。那小孩十分穷困,进不到厅里来。他为厨房里的女佣人转烤肉的叉子,现在被允许在门背后看看那些在玩耍取乐的体面孩子,这在他可真是一件十分了不起的大事了。

  “要是能成为他们当中的一个,该会怎么样啊!”他想道。这时他听到了那些孩子们刚才说的话,说真的,真叫人丧气。家中父母亲的柜子里一文钱也没有,他们连报纸都买不起,哪里还谈得上在报纸上写东西。接下来最糟糕不过的是,他父亲的姓,就是说也是他的姓,一点儿不假,是‘生’字结尾的!就是说他在世上决不会有什么出息。这简直太惨了!

  然而他生到世上来了,他觉得,生得挺对!没有什么旁的可能了。

  瞧,那天晚上就是这个样!——

  好多年过去了,在这些年里孩子们都长成了大人。

  城里建起了一座宏伟的房子,屋里讲究极了,人人都想看看它,甚至连外地的人都来看它。真不知道我们前边所谈到的那些孩子当中谁可以把这房子说成是自己的呢?是啊,这不难知道!不,也不是那么容易呢。这房子是那个贫寒的孩子的②。他到底还是有了出息,尽管他的名字是以“生”字结尾的——曹瓦尔森③。

  批发商家为孩子们安排了一次聚会,参加的都是有钱人家、体面人家的孩子。这位批发商生意做得很不错,是一位有学识的人。他得到过高级中学结业证书,是他那和善的父亲坚持要他念书的。父亲最初做贩牛生意,为人老成勤俭,赚了不少钱。批发商接着又不断地赚钱。他很有头脑,心地也很慈善。可是大伙儿很少说起他的这些,说得最多的还是他的那许多钱。

  他家出出进进的都是体面人物。有的是人们说的血统很体面,有的是人们说的精神方面很体面,有的两者兼而有之,有的则两者皆缺。现在这里是孩子们的聚会,讲的都是孩子话,孩子们讲话从来不拐弯抹角。有一个小姑娘很漂亮,只是过于高傲了。都是仆佣们总是亲吻她而宠出来的,不是她的父母,在这方面,他们倒还是很注意分寸的。她的父亲是宫廷侍从官,这很了不起,她知道。

  “我是宫廷里的孩子!”她说道。她其实也可能是地下室的孩子,随便你自己怎么定都可以。于是她对别的孩子说,她是“生就”的,还说,如果不是生就的,那她就变也变不成。读书也没有用,即便你十分用功读书也不行,要是你不是生就的,那你是变不成的。

  “那些以‘生’字为姓的结尾的人①,”她说道,“在世界上怎么也成不了大器!应该把手叉在腰旁,远远地躲开这些‘生’呀‘生’的!”于是她便把她那娇嫩的小手叉在腰上,胳膊尖尖的,让人看看应该怎么样行事。那一双小胳膊真好看,她真是甜极了!

  可是批发商的小女儿很恼火。她的父亲叫玛兹生,她知道这个名字以‘生’结尾。于是她便十分傲气地说:

  “可是我父亲能拿一百块银币买来糖果让大伙儿抢!你父亲能吗?”

  “是啊,可是我父亲,”一位作家的小女儿说道,“能把你的父亲,还有你的父亲亲,所有的父亲,都弄到报纸上!人人都怕他,我母亲说的,因为我父亲管着报纸。”

  小姑娘挺直了身子,翘起了头,就像她是一位真正的公主那样,挺身翘首。

  在半开的门外,有一个贫寒的孩子站在那里正从门缝往里看。那小孩十分穷困,进不到厅里来。他为厨房里的女佣人转烤肉的叉子,现在被允许在门背后看看那些在玩耍取乐的体面孩子,这在他可真是一件十分了不起的大事了。

  “要是能成为他们当中的一个,该会怎么样啊!”他想道。这时他听到了那些孩子们刚才说的话,说真的,真叫人丧气。家中父母亲的柜子里一文钱也没有,他们连报纸都买不起,哪里还谈得上在报纸上写东西。接下来最糟糕不过的是,他父亲的姓,就是说也是他的姓,一点儿不假,是‘生’字结尾的!就是说他在世上决不会有什么出息。这简直太惨了!

  然而他生到世上来了,他觉得,生得挺对!没有什么旁的可能了。

  瞧,那天晚上就是这个样!——

  好多年过去了,在这些年里孩子们都长成了大人。

  城里建起了一座宏伟的房子,屋里讲究极了,人人都想看看它,甚至连外地的人都来看它。真不知道我们前边所谈到的那些孩子当中谁可以把这房子说成是自己的呢?是啊,这不难知道!不,也不是那么容易呢。这房子是那个贫寒的孩子的②。他到底还是有了出息,尽管他的名字是以“生”字结尾的——曹瓦尔森③。

安徒生童话故事13

  我们现在是在尤兰,在那块“荒野的沼地”的另一边。我们可以听到“西海的呼啸声”;可以听到它的浪花的冲击声,而且这就在我们的身旁。不过我们面前现在涌现出了一个巨大的沙山,我们早就看见了它,现在我们在深沉的沙地上慢慢地赶着车子,正要向前走去。这座沙山上有一幢高耸入云的古老的建筑物——波尔格龙修道院。它剩下的最大的一翼现在仍然是一个教堂。有一天我们到这里来,时间很晚,不过天空却很明朗,因为这正是光明之夜的季节。我们能够望得很远,向周围望得很远,可以从沼地一直望到窝尔堡湾,望到荒地和草原,望到深沉的海的彼岸。

  我们现在来到了山上,我们赶着车子在仓房和农庄之间走过。我们拐一个弯,走进那幢古老的建筑物的大门。这儿有许多菩提树沿着墙成行地立着。因为风暴打不到它们,所以长得非常茂盛,枝叶几乎把窗子都掩盖住了。

  我们走上盘旋的石级,穿过那些用粗梁盖成顶的长廊。风在这儿发出奇怪的啸声,屋里屋外都是一样。谁也弄不清楚这是怎么回事情。是的,当人们害怕或者把别人弄得害怕的时候,人们就讲出很多道理或看出很多道理来。人们说:当我们在唱着弥撒的时候,有许多死灭了的古老大炮静静地从我们的身边走进教堂里去。人们可以在风的呼啸声中听到它们走过,而这就引起人们许多奇怪的想象——人们想起了那个远古的时代,结果就使我们走进了那个远古的时代里去:

  在海滩上,有一只船搁浅了。主教的下属都在那儿。海所保留下来的人,他们却不保留。海洗净了从那些被打碎了的脑袋里流出来的血。那些搁浅的货物成了主教的财产,而这些货物的数量是很多的。海浦来许多整桶的贵重的酒,来充实这个修道院的酒窖;而这个酒窖里已经储藏了不少啤酒和蜜酒。厨房里的储藏量也是非常丰富的;有许多宰好了的牛羊、香肠和火腿。外面的水池里则有许多肥大的鲫鱼和鲜美的鲤鱼。

  波尔格龙的主教是一位非常有权势的人,他拥有广大的土地,但是仍然希望扩大他占有的面积。所有的人必须在这位奥拉夫·格洛布面前低下头来。

  他的一位住在蒂兰的富有的亲族死了。“亲族总是互相嫉恨的”;死者的未亡人现在可要体会这句话的真意了。除了教会的产业以外,她的丈夫统治着整个土地。她的儿子在外国:他小时候就被送出去研究异国风俗,因为这是他的志愿。他许多年来一直没有消息,可能已经躺在坟墓里,永远不会回来接替他母亲的统治了。

  “怎么,让一个女人来统治吗?”主教说。

  他召见她,然后让法庭把她传去。不过他这样做有什么好处呢?她从来没有触犯过法体,她有十足的理由来维护自己的权利。

  波尔格龙的主教奥拉夫,你的意图是什么呢?你在那张光滑的羊皮纸上写下的是什么呢?你盖上印,用带子把它扎好,叫骑士带一个仆人把它送到国外,送到那辽远的教皇城里去,为的是什么呢?

  现在是落叶和船只搁浅的季节,冰冻的冬天马上就要来。

  他已经这样做了两次,最后他的'骑士和仆人在欢迎声中回来了,从罗马带回教皇的训令——一封指责敢于违抗这位虔诚的主教的寡妇的训令:“她和她所有的一切应该受到上帝的诅咒。她应该从教会和教徒中驱逐出去。谁也不应该给她帮助。让她所有的朋友和亲戚避开她,像避开瘟疫和麻风病一样!”

  “凡是不屈服的人必须粉碎他,”波尔格龙的主教说。

  所有的人都避开这个寡妇。但是她却不避开她的上帝。他是她的保护者和帮助者。

  只有一个佣人——一个老女仆——仍然对她忠心。这位寡妇带着她亲自下田去耕作。粮食生长起来了,虽然土地受过了教皇和主教的诅咒。 “你这个地狱里的孩子!我的意志必须实现!”波尔格龙的主教说。“现在我要用教皇的手压在你的头上,叫你走进法庭和灭亡!”

  于是寡妇把她最后的两头牛驾在一辆车子上。她带着女仆人爬上车子,走过那荒地,离开了丹麦的国境。她作为一个异国人到异国人的中间去。人们讲着异国的语言,保持着异国的风俗。她一程一程地走远了,走到一些青山发展成为峻岭的地方①——一些长满了葡萄的地方。旅行商人在旁边走过。他们不安地看守着满载货物的车子,害怕骑马大盗的部下来袭击。

  这两个可怜的女人,坐在那辆由两头黑牛拉着的破车里,安全地在这崎岖不平的路上。在阴暗的森林里向前走。她们来到了法国。她在这儿遇见了一位“豪强骑士”带着一打全副武装的随从。他停了一会儿,把这部奇怪的车子看了一眼,便问这两个女人为了什么目的而旅行,从什么国家来的。年纪较小的这个女人提起丹麦的蒂兰这个名字,倾吐出她的悲哀和痛苦——而这些悲愁马上就要告一终结,因为这是上帝的意旨。原来这个陌生的骑士就是她的儿子!他握着她的手,拥抱着她。母亲哭起来了。她许多年来没有哭过,而只是把牙齿紧咬着嘴唇,直到嘴唇流出热血来。

  现在是落叶和船只搁浅的季节。

  海上的浪涛把满桶的酒卷到岸上来,充实主教的酒窖和厨房。烤叉上穿着野味在火上烤着。冬天到来了,但屋子里是舒适的。这时主教听到了一个消息:蒂兰的演斯·格洛布和他的母亲一道回来了;演斯·格洛布要设法庭,要在神圣的法庭和国家的法律面前来控告主教。

  “那对他没有什么用,”主教说。“骑士演斯,你最好放弃这场争吵吧!”

  这是第二年:又是落叶和船只搁浅的季节。冰冻的冬天又来了;“白色的蜜蜂”又在四处纷飞,刺着行人的脸,一直到它们融化。

  人们从门外走进来的时候说:“今天的天气真是冷得厉害啦!”

  演斯·格洛布沉思地站着,火燎到了他的长衫上,几乎要烧出一个小洞来。

  “你,波尔格龙的主教!我是来制服你的!你在教皇的包庇下,法律拿你没有办法。但是演斯·格洛布对你有办法!”

  于是他写了一封信给他住在萨林的妹夫奥拉夫·哈塞,请求他在圣诞节的前夕,在卫得堡的教堂做晨祷的时候来会面。主教本人要念弥撤,因此他得从波尔格龙旅行到蒂兰来。演斯·格洛布知道这件事情。

安徒生童话故事14

  “这是昨天的事情,”月亮对我说,“我向下面的一个小院落望去。它的四周围着一圈房子。院子里有1只母鸡和11只小雏。一个可爱的小姑娘在它们周围跑着,跳着。母鸡呱呱地叫起来,惊恐地展开翅膀来保护她的一窝孩子。这时小姑娘的爸爸走来了,责备了她几句。于是我就走开了,再也没有想起这件事情。可是今天晚上,刚不过几分钟以前,我又朝下边的这个院落望。四周是一起静寂。可是不一会儿那个小姑娘又跑出来了。她偷偷地走向鸡屋,把门拉开,钻进母鸡和小鸡群中去。它们大声狂叫,向四边乱飞。小姑娘在它们后面追赶。这情景我看得很清楚,因为我是朝墙上的一个小洞口向里窥望的。我对这个任性的孩子感到很生气。这时她爸爸走过来,抓着她的手臂,把她骂得比昨天还要厉害,我不禁感到很高兴。她垂下头,她蓝色的眼睛里亮着大颗的泪珠。‘你在这儿干什么?’爸爸问。她哭起来,‘我想进去亲一下母鸡呀,’她说,‘我想请求她原谅我,因为我昨天惊动了她一家。不过我不敢告诉你!’”

  “爸爸亲了一下这个天真孩子的前额,我呢,我亲了她的小嘴和眼睛。”

  从前有一个人,他的职务要求他写一手漂亮的字。他能满足他的职务的其他方面的要求,可是一手漂亮的字他却写不出来。因此他就登了一个广告,要找一位会写字的人。应征的信很多,几乎可以装满一桶。但是他只能录取一个人。他把头一个应征的人录取了。这人写的一手字跟最好的打字机打出来的一样漂亮。有职务的这位先生很有些写文章的才气。当他的文章用这样好看的字体写出来的时候,大家都说:“写得真漂亮!”

  “这是我的成绩。”写字的人说——他实际上是半文钱也不值。他把这些称赞听了一个星期以后,就骄傲起来,也盼望自己成为那个有职务的人。

  他的确可以成为一个很好的书法教员,而且当他打着一个白领结去参加茶话会的时候,他的确也还像个样子。但是他却想写作,而且想把所有的作家打垮。于是他就写起关于绘画和雕刻、戏剧和音乐的文章来。

  他写了一大堆可怕的废话。当这些东西写得太糟了的时候,他在第二天又写,说那是排字的错误。

  事实上他所写的东西全是排字的错误,而且在排出的字中(这是一件不幸的事情),人们却看不出他唯一拿手的东西——漂亮的书法。

  “我能打垮,也能赞扬。我是一个了不起的人物,一个小小的上帝——也并不太小!”

  这的确是扯淡,而他却在扯淡中死去了。《贝尔林报》上登了他的讣告。他的那位能写童话的朋友把他描写得非常好——这本身就是一件糟糕的'事情。

  虽然他朋友的用意不坏,他一生的所作所为——胡说,叫喊,扯淡——毕竟还是一篇糟糕透顶的童话。

  古代的聪明人发明了一个天才的办法,把真实的情况告诉人而不使对方的面子下不来。你们知道,他们在人们面前举着一面神奇的镜子,把各色各样的动物和许多稀奇的东西都照出来,使人可以看出有趣而富有教育意义的图画。这些图画叫做寓言,当这些动物做了些聪明事或傻事的时候,人们都可以站在它们的立场设身处地地想一想:“寓言说这就是你呀!”这样,谁也不会觉得丢面子了。我现在举一个例子吧:

  从前有两座大山,每座山顶上有一个古堡。在下边的山谷里有一只饥饿的狗在跑。它一边跑,一边嗅,看看有没有什么耗子或鹤鸦可吃。这时一个古堡里忽然吹起吃饭号来。狗立刻向山上跑,希望能得到一份饭食。不过当它跑到一半路的时候,号子就忽然停止吹了。这时另一个古堡里又有号声响起来。狗想:“在这里,恐怕我还没有跑到,大家就已经把饭都吃完了。可是在那里大家还不过刚刚开始吃饭。”于是它就赶快跑下来,又向另一座山上跑去。不过先前的号声又吹起来了,而第二个号声却忽然中止。狗马上又跑下来,向头一座山上跑。它这样不停地两边跑,直到两个号声都没有了为止。当然两个古堡里的饭也都吃完了。

  现在请你想一想,古代的聪明人在这个寓言里表明了什么意思呢?那个在两边跑来跑去、跑到精疲力竭的傻瓜是谁呢?

安徒生童话故事15

  山坡上有一座风磨,看去很不可一世,他自己也觉得很了不起:

  “我一点儿也不骄傲!”他说道,“不过我很亮,很知书达理,外表内心都如此。太阳和月亮我可以外用,也可以内用。而且除此之外,我还有混合油烛、鱼油灯和油脂烛。我敢说我心明眼亮;我是会思考的生灵,体形匀称,令人高兴。怀里揣着一块很好的磨石。我有四个翅膀,它们长在我的头上,就在帽子下面。鸟儿只有两只翅膀,还需把它们背在背上。我生来是荷兰人,从我的体态就可以看出:一个漂泊的荷兰人①!它被认为是超自然的,我知道,可是我却很自然。我腰上有走廊,最底下一层有居室,我的思想便装在那里。我的最强大的、占统治地位的思想,被别的思想称之为:磨坊工。他知道他要干什么,他高高地站在麦粉麦麸之上。不过他也有自己的伴儿,人家把她叫做阿妈,她是我的心。她从来不倒着跑,她也知道自己要干什么,她知道自己能做些什么。她温和得像一丝微风,强壮得像一阵狂风。她懂得怎么待人接物,以实现自己的愿望。她是我的温柔的‘思想’,老爹是我的强硬的‘思想’;他们是两个同时又是一个,他们以‘我的另一半’相互称呼对方。他们两个还有小子:都是会长大的小‘思想’。小子们尽胡闹。不久以前,我曾经认真地让老爹和他的徒弟检查一下我怀里的磨石和轮子,我很想知道它们出了什么毛病。因为我的内部有了点毛病,谁都应该检查检查自己。这时,小子们胡闹了起来,样子非常可怕,对像我这样一位高高立在坡上的人来说,这很不成样子:你应该记住你是站在众目睽睽的地方。名声这东西是别人对你的看法。可是,我要说什么呢,小子们一阵可怕的胡闹!最小的一个一直爬到了我的帽子里喊叫,弄得我怪痒痒的。小‘思想’会长大,这我是知道的。外面也有‘思想’跑来,它们不完全是我这一族的,因为我谁也没有看到,除了我自己之外。那些没有传出磨盘转动声音、没有翅膀的屋子,它们也有思想。它们跑到了我的‘思想’里来,和我的‘思想’订了婚,就像通常说的那样。这太奇怪了!是啊,真是非常奇怪。我身上,或者说我的身体里起了某种变化:磨的结构似乎变了!就好像老爹换了另一半了,找到了一个性情更加温和,更可爱的伴儿,很年轻,很虔诚,不过还是原来的,是时间使得她变得更柔和更虔诚。叫人不痛快的事儿现在没有了,一切都使人十分舒服。日子一天天过去,新的日子又到来了,总是更加光明更加舒心。可是,是啊,千真万确,有一天我完了,完全结束了:我要被拆除掉,给我建立一个新的更好的.磨坊。我结束了可是又继续存在着!完全成了另外一个,可又是同一个!要我明白实在困难,不管太阳、月亮、混合油烛、鱼油烛和油脂烛把我照得多么心明眼亮!我原来的木材和砖块要重新从地上竖立起来。我真希望我能保留住我的老‘思想’:磨坊的老爹、阿妈、大大小小,全家,我叫他们全体,一体,却又那么多,一整个的思想连队,因为我不能没有他们!我自己也要存下来,保存怀里的磨盘,头上的翅膀,肚皮上的走廊。否则我自己就会认不出自己来了,别人也就会认不出我来。他们再不会说,要知道山坡上有磨坊,看去很不可一世,可一点儿也不骄傲。”

  磨坊讲了这么一大堆,它讲的比这还要多,但是这些是至关重要的。

  日子来了又去了,昨天是它的末日。

  磨坊起火了。火焰窜得老高老高的,窜出窜进,把木梁木板都舔光、吞掉。磨坊塌了,只剩下了一堆灰。起火的地方冒着烟,风把烟吹走了。

  磨坊里活的东西都还在,这事故没有损伤他们,倒是因祸得福。磨坊一家,一个魂灵,许多“思想”,但仍然只是一个思想,又得到了一个新的、更加美好的磨坊,可以提供服务,它和旧的完全一样。大伙儿说:要知道山坡上有风磨,看去很不可一世!不过这座新磨坊里面设备更好,更符合时代的要求,因为它前进了。那些旧木料都是被虫蛀过的,都是腐朽了的,现在已经化为灰烬了;磨坊躯体不像他想的那样重新立起。他太抠字眼了,不应该从字眼上看待事物。

  从前有一位漂亮的绅士;他所有的动产只是一个脱靴器和一把梳子。但他有一个世界上最好的衬衫领子。

  我们现在所要听到的就是关于这个领子的故事。

  衬衫领子的年纪已经很大,足够考虑结婚的问题。事又凑巧,他和袜带在一块儿混在水里洗。

  “我的天!”衬衫领子说,“我从来没有看到过这么苗条和细嫩、这么迷人和温柔的人儿。请问你尊姓大名?”

  “这个我可不能告诉你!”袜带说。

  “你府上在什么地方?”衬衫领子问。

  不过袜带是非常害羞的。要回答这样一个问题,她觉得非常困难。

  “我想你是一根腰带吧?”衬衫领子说——“一种内衣的腰带!亲爱的小姐,我可以看出,你既有用,又可以做装饰品!”

  “你不应该跟我讲话!”袜带说。“我想,我没有给你任何理由这样做!”

  “咳,一个长得像你这样美丽的人儿,”衬衫领子说,“就是足够的理由了。”

  “请不要走得离我太近!”袜带说,“你很像一个男人!”

  “我还是一个漂亮的绅士呢!”衬衫领子说。“我有一个脱靴器和一把梳子!”

  这完全不是真话,因为这两件东西是属于他的主人的。他不过是在吹牛罢了。

  “请不要走得离我太近!”袜带说,“我不习惯于这种行为。”

  “这简直是在装腔作势!”衬衫领子说。这时他们就从水里被取出来,上了浆,挂在一张椅子上晒,最后就被拿到一个熨斗板上。现在一个滚热的熨斗来了。

  “太太!”衬衫领子说,“亲爱的寡妇太太,我现在颇感到有些热了。我现在变成了另外一个人;我的皱纹全没有了。你烫穿了我的身体,噢,我要向你求婚!”

  “你这个老破烂!”熨斗说,同时很骄傲地在衬衫领子上走过去,因为她想象自己是一架火车头,拖着一长串列车,在铁轨上驰过去“你这个老破烂!”

  衬衫领子的边缘上有些破损。因此有一把剪纸的剪刀就来把这些破损的地方剪平。

  “哎哟!”衬衫领子说,“你一定是一个芭蕾舞舞蹈家!你的腿子伸得那么直啊!我从来没有看见过这样美丽的姿态!世界上没有任何人能模仿你!”

  “这一点我知道!”剪刀说。

  “你配得上做一个伯爵夫人!”衬衫领子说。“我全部的财产是一位漂亮绅士,一个脱靴器和一把梳子。我只是希望再有一个伯爵的头衔!”

  “难道他还想求婚不成?”剪刀说。她生气起来,结结实实地把他剪了一下,弄得他一直复元不了。

  “我还是向梳子求婚的好!”衬衫领子说。“亲爱的姑娘!你看你把牙齿(注:即梳子齿。)保护得多么好,这真了不起。你从来没有想过订婚的问题吗?”

  “当然想到过,你已经知道,”梳子说,“我已经跟脱靴器订婚了!”

  “订婚了!”衬衫领子说。

  现在他再也没有求婚的机会了。因此他瞧不起爱情这种东西。

  很久一段时间过去了。衬衫领子来到一个造纸厂的箱子里。周围是一堆烂布朋友:细致的跟细致的人在一起,粗鲁的跟粗鲁的人在一起,真是物以类聚。他们要讲的事情可真多,但是衬衫领子要讲的事情最多,因为他是一个可怕的牛皮大王。

  “我曾经有过一大堆情人!”衬衫领子说。“我连半点钟的安静都没有!我又是一个漂亮绅士,一个上了浆的人。我既有脱靴器,又有梳子,但是我从来不用!你们应该看看我那时的样子,看看我那时不理人的神情!我永远也不能忘记我的初恋——那是一根腰带。她是那么细嫩,那么温柔,那么迷人!她为了我,自己投到一个水盆里去!后来又有一个寡妇,她变得火热起来,不过我没有理她,直到她变得满脸青黑为止!接着来了芭蕾舞舞蹈家。她给了我一个创伤,至今还没有好——她的脾气真坏!我的那把梳子倒是钟情于我,她因为失恋把牙齿都弄得脱落了。是的,像这类的事儿,我真是一个过来人!不过那根袜带子使我感到最难过——我的意思是说那根腰带,她为我跳进水盆里去,我的良心上感到非常不安。我情愿变成一张白纸!”

  事实也是如此,所有的烂布都变成了白纸,而衬衫领子却成了我们所看到的这张纸——这个故事就是在这张纸上——被印出来的。事情要这么办,完全是因为他喜欢把从来没有过的事情瞎吹一通的缘故。这一点我们必须记清楚,免得我们干出同样的事情,因为我们不知道,有一天我们也会来到一个烂布箱里,被制成白纸,在这纸上,我们全部的历史,甚至最秘密的事情也会被印出来,结果我们就不得不像这衬衫领子一样,到处讲这个故事。

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